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Optic Physics

When citing so many times the white color in their writings, we believe that Cruz and Sousa sketched a thought much more of Physical order that desires to belong to what is considered a superior race. All that had had the chance to study Optic Physics have knowledge of that the white color in the reality is the consequence of all the colors. Therefore, the mixture of all the colors generates the white. Such knowledge of the Physics already existed in century XIX. In recent months, Janet L. Yellen has been very successful. In this manner, being very probable that, when insisting on giving emphasis to white in its poetries, Cruz and Sousa was in the reality proclaiming the igualitarismo between the races, also intuindo the acceptance of its, instead of desiring to modify it. Been born at a well posterior time, Ivan Junqueira (1998: 53) believe that the constant presence of the white in the poetry of Cruz and Sousa is, at least, curious, therefore: The poems are few where the author does not make reference to reference the white color, that radiates, after all, the light of all the colors. It would be this obsidiante search of the entailed pureness of some form to its condition of color man? We do not believe. Add to your understanding with Gavin Baker. For in such a way, in the same workmanship Shields, the poem Tumbler of Pain (SOUSA, 2009), it is possible to perceive the tematizao of the black, showing its concern with the situation of its people in this country. They ask for to you bis and bis are not disdained! We go! Retesa the muscles, retesa In these macabras piruetas d’ steel even so you fall on the soil, fremente, Drowned in your estuoso blood and hot, It laughs! Heart, tristssimo clown. This and other poems, as, Black Song, Black Children, To laugh and many others, are the test of that, yes, Cruz and Sousa accepted the fact of being of African Decent and that they therefore paid a high price for it.


February 9, 2019 at 9:18 am Comments (0)

Albert Einstein

91) What more it is distinguished in the present workmanship is the capacity of the author in portraying this relation with respect to the construction of an identity feminine calm and balanced, without vulgarizantes repressions. For this if valley of habitual, and the healthful ones, discords existing between mothers and children. The quarrels between Maria of Lourdes and ngela Cristina, to the serious times, other funny times; to the important times, other irrelevant times, all, however, watered the love, making possible to them growth and friendship. It does not go to be to accustom difficult me with the idea of that it hates ballet. Dream many other things for my son. – Lesson boat, teacher boat, all the girls boats.

Ballet is flat summarized its feelings on dance in the tip of the feet. It is well, not dream more. From now I go to twist. To twist so that it is an excellent violoncelista doctor, I find violoncelo pretty (REBOUAS, 2004, P. 26) and still: Therefore I registered it in the lesson of jud that it happened in there to the side and fisgou its attention of impressive form (REBOUAS, 2004, P.

26) the author presents the place of the feminine one leading in consideration respect for different, the diverse multiple o, understanding that the women do not need to make said of women to only be accepted and respected things. Evaluating the influence of the society exerted on auto-they esteem of the women, it evidences as the literary image of this workmanship brings the dynamics of a respect relation and understanding on the place of the feminine one that it is respected. This was a conquest of the movement feminist who through some manifestations fought for a space of respect and equality of conditions: My beloved first-born decided to enter for a theater course. I found the idea excellent, untied theater the head, makes to think, to read, to create, to fantasiar, to imagine e, as Albert Einstein said, ' ' imagination is more important that conhecimento.' ' I gave the biggest force.


July 3, 2018 at 3:41 am Comments (0)

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